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Ancient Fiction: The Matrix of Early Christian and Jewish Narrative
Jo-Ann A. Brant (Editor), Charles W. Hedrick (Editor), Chris Shea (Editor)

ISBN 1589831667
Status Available
Price: $39.95
Binding Paperback
Publication Date October, 2005
   

The essays in this volume examine the relationship between ancient fiction in the Greco-Roman world and early Jewish and Christian narratives. They consider how those narratives imitated or exploited conventions of fiction to produce forms of literature that expressed new ideas or shaped community identity within the shifting social and political climates of their own societies. Major authors and texts surveyed include Chariton, Shakespeare, Homer, Vergil, Plato, Matthew, Mark, Luke, Daniel, 3 Maccabees, the Testament of Abraham, rabbinic midrash, the Apocryphal Acts, Ezekiel the Tragedian, and the Sophist Aelian. This diverse collection reveals and examines prevalent issues and syntheses in the making: the pervasive use and subversive power of imitation, the distinction between fiction and history, and the use of history in the expression of identity.

Jo-Ann A. Brant is Chair of the Department and Professor of Bible, Religion, and Philosophy at Goshen College in Goshen, Indiana. She is the author of Dialogue and Drama: Elements of Greek Tragedy in the Fourth Gospel (Hendrickson). Charles W. Hedrick is Distinguished Professor of Religious Studies at Southwest Missouri State University in Springfield, Missouri, and the author of numerous books, including Many Things in Parables: Jesus and His Modern Critics (Westminster John Knox). Chris Shea is Chair of the Department of Modern Languages and Classics and Professor of Classics at Ball State University in Muncie, Indiana.

CONTENTS

The Educational Curriculum in Chariton’s Callirhoe
—Ronald F. Hock

Imitating Imitation: Vergil, Homer, and Acts 10:1–11:18
—Chris Shea

Die Entführung in das Serail: Aspasia: A Female Aesop?
—Richard I. Pervo

Novel and Mystery: Discourse, Myth and Society
—Gerhard Van Den Heever

Midrash as Fiction and Midrash as History: What Did the Rabbis Mean?
—Chaim Milikowsky

Mimesis and Dramatic Art in Ezekiel the Tragedian’s Exagoge
—Jo-Ann A. Brant

Daniel 1–6: A Biblical Story-Collection
—Tawny L. Holm

3 Maccabees: An Anti-Dionysian Polemic
—Noah Hacham

Third Maccabees: Historical Fictions and the Shaping of Jewish Identity in the Hellenistic Period
—Sara R. Johnson

Humor and Paradox in the Characterization of Abraham in the Testament of Abraham
—Jared W. Ludlow

Resurrection and Social Perspectives in the Apocryphal Acts of Peter and Acts of John
—Judith B. Perkins

The Breasts of Hecuba and Those of the Daughters of Jerusalem: Luke’s Transvaluation of a Famous Iliadic Scene
—Dennis R. MacDonald

The Choral Crowds in the Tragedy According to St. Matthew
—J. R. C. Cousland

The Summaries of Acts 2, 4, and 5 and Utopian Literary Traditions
—Ruben Rene Dupertuis

A Biography of a Motif: The Empty Tomb in the Gospels, the Greek Novels, and Shakespeare’s Romeo and Juliet
—Andy Reimer

Hardback edition available from Brill Academic Publishers (www.brill.nl)




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