This collection of essays pursues two new approaches to Q, the speeches of Jesus paralleled in the Gospels of Matthew and Luke. The essays in part 1 suggest that recent work in ethnopoetics, the ethnography of performance, and theory of verbal art (especially that of John Miles Foley) both complements and challenges standard approaches to the teaching of Jesus. They explore how Q speeches might be appreciated as oral performance that resonates with listeners in a community context by referencing Israelite popular tradition. The essays in part 2 examine how the work of anthropologist and political scientist James C. Scott on popular tradition, “the moral economy of the peasant,” and “hidden transcripts” may illuminate the social context and political implications of Q speeches.
Richard A. Horsley is Distinguished Professor of Liberal Arts and the Study of Religion at the University of Massachusetts Boston. Among his numerous books are Archaeology, History, and Society in Galilee (Trinity Press International, 1996), Whoever Hears You Hears Me: Prophecy, Performance, and Tradition in Q (with Jonathan Draper; Trinity Press International 1999); Hearing the Whole Story: The Politics of Plot in Mark’s Gospel (Westminster/ John Knox, 2001); Jesus and Empire (Fortress Press, 2003), and the award-winning Bandits, Prophets, and Messiahs (Trinity Press International, 1999).
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